The origin of Compas Direct
That was the moment in 1955 when Nemours Jean-Baptiste ventured the musical step from Twoubadou to dance music with his own orchestra
(Conjunto International, Ensemble aux Calebasses). He began to interpret, arrange and experiment with Haitian music in a contemporary
way. They played regularly at the Cabane Choucoune Night Club. The repertoire consisted of very different rhythms (Bannann Pouyak,
Grenn Moudong, Ibo, Méringue Lente, Contredance, Guaracha, Bolero... ),
while the timbre of the orchestra remained the same.
2)

With the title
“Deux pti piti callebasses” came in 1957 a rhythm structure for the first time,
the basis of which did not change significantly. In 1958, the term
Compas Direct appeared for the first
time in
a recording at the end of the title
“Yasse”.
3)
The new song formula proved to be successful with the audience. From that moment on, his music was marketed
as
Compas Direct and quickly spread throughout the country.
1)
Compas Direct –
It is the 5-3 formula for the Compas percussion.
Five beats on the big drum (tanbou) are followed by three beats (two bass beats with a tam-tam beat in between).
Flanked in parallel by the bright sound of the graj as well as the two off-beat instruments of tchatcha and kloch.
The driving heart of the rhythm section is the tanbou (son poto mitan).
4)
Nemours Jean-Baptiste started with tanbou (big vodou drum), double bass,
tchatcha (maracas), graj (guiro), accordion, wind instruments. He expanded the music and his orchestra over the years, timbales, large bell
(kloch), small bell (with timbales), floor tom (tam-tam), electric guitars, organs, drum set... Arrangements and percussion of the Compas Direct were
perfected in this way more and more.
5) Rhythm (1967)